Captain Horatio Hornblower

Captain Horatio Hornblower R.N. (released in the U.S. without the 'R.N.') is a 1951 naval adventure film. It was directed by Raoul Walsh and stars Gregory Peck, Virginia Mayo, Robert Beatty and Terence Morgan.


It was based upon three of C. S. Forester's Horatio Hornblower novels, The Happy Return (Beat to Quarters in the United States), A Ship of the Line and Flying Colours. Forester is credited with the adaptation; as a result, the film is faithful to his novels and features an occasionally introspective tone unusual for an old-fashioned swashbuckler.

Watch Movie; Captain Horatio Hornblower

Plot Synopsis;

In 1807, Royal Navy Captain Horatio Hornblower (Gregory Peck), commanding the 36-gun frigate HMS Lydia, is on a lengthy secret mission to Central America. He is to provide arms and support to a megalomaniac calling himself "El Supremo" or "The Almighty" (Alec Mango) in his rebellion against Spain, an ally of Britain's enemy France during the Napoleonic Wars. As Hornblower observes to First Lieutenant Bush (Robert Beatty), "War breeds strange allies."

Upon his arrival, the Englishman is told that a larger, much more powerful Spanish warship, the 50-gun Natividad, has been sighted. When it anchors nearby, Hornblower and his crew board and capture it in a surprise nighttime attack. He then reluctantly hands the ship over to El Supremo to appease the madman and they go their separate ways.

Later, he encounters a small Spanish vessel with a pair of troublesome passengers. First, a Spanish official informs him (and provides proof) that Spain has switched sides. Then Lady Barbara Wellesley (Virginia Mayo) "requests" passage back to England for her and her maid. Due to a deadly epidemic raging ashore and her influential relations (she is the fictitious sister of Arthur Wellesley, the future Duke of Wellington), Hornblower is in no position to refuse, even though he has to sink the Natividad. Using masterful tactics, he accomplishes his mission. With the danger gone, the Spaniards insist he leave.

On the voyage back to England, Lady Barbara falls gravely ill and is nursed back to health by him. They spend many enjoyable nights talking and playing whist. They fall in love, but he rejects her advances, explaining that he is married.

After arriving home, he learns that his wife Maria has died. Hornblower is given command of the Sutherland, a powerful ship of the line captured from the French and is assigned to a squadron commanded by Rear Admiral Sir Rodney Leighton (Denis O'Dea), Lady Barbara's pompous new husband. The squadron's mission is to help enforce the British blockade against Napoleonic France.

At a conference on Leighton's flagship, Hornblower urges a wide deployment to counter any sortie of the French Navy in support of Napoleon's campaign on the Iberian Peninsula. However, a suspicious Leighton expressly forbids Hornblower from taking any independent action without his permission.

Hornblower's French-built ship is subsequently mistaken for a friendly vessel by a French ship, making for its easy capture. Hornblower learns the enemy's recognition signal for the day, as well as vital intelligence that four French ships of the line carrying troops and supplies have slipped the blockade and are heading to Spain.

 

Faced with the urgency of the situation, Hornblower decides on his own initiative to attempt to find and sink the ships. He locates them anchored in a harbour guarded by a well-armed fort. By flying a French flag and the recognition signal, as well as taking advantage of the appearance of his ship's French design, Hornblower fools the garrison into believing that the Sutherland is friendly, enters the harbor unhindered, and proceeds to sink or damage all four enemy ships. The French fort then opens fire, and Hornblower and the rest of the surviving crew have to abandon ship, but not before deliberately sinking the Sutherland in the harbor channel to bottle up the French ships.

The rest of the British squadron arrives shortly afterward to complete the job; Leighton is killed in the ensuing battle. Hornblower and Bush, accompanied by seaman Quist (James Robertson Justice), are taken by carriage to Paris to be tried on the trumped-up charge of espionage and executed. However, they manage to escape en route and make their way to a port. Disguised as Dutch officers, they board The Witch of Endor, a captured British ship, overpower the skeleton crew, free a working party of British prisoners of war to man her and sail away to freedom.

At his mandatory court-martial, Hornblower is acquitted and is hailed as a national hero. With their spouses both deceased, the two lovebirds are free to pursue their romance.

Alice in Wonderland (1915 and 1951)

Both classic versions of Alice in Wonderland from 1915 and 1951

Alice in Wonderland (1915)

This version of Alice in Wonderland is a 1915 silent film adaptation of Lewis Carroll's classic novel, Alice's Adventures in Wonderland, directed and written by W.W. Young and starring Viola Savoy as Alice.

Alice in Wonderland (Disney Animated Classic - 1951)

Alice in Wonderland is an American animated film produced by Walt Disney and based primarily on Lewis Carroll's Alice's Adventures in Wonderland with a few additional elements from Through the Looking-Glass. Thirteenth in the Walt Disney Animated Classics series, the film was released in New York City and London on July 26, 1951 by RKO Radio Pictures. The film features the voices of Kathryn Beaumont as Alice (also voice of Wendy Darling in the later Disney feature film, Peter Pan) and Ed Wynn as the Mad Hatter. Made under the supervision of Walt Disney himself, this film and its animation are often regarded as some of the finest work in Disney studio history, despite the lackluster, even hostile, reviews it originally received, especially in the United Kingdom.

Plot; On the bank of a tranquil river, Alice grows bored listening to her older sister read aloud from a history book about William I of England. Alice's sister scolds her, gently but firmly, for her lack of attention. At that moment, Alice dreams of living in a world of nonsense ("A World of My Own", as she explains and sings to her little kitten Dinah). Alice sees a White Rabbit wearing a waistcoat and carrying a large pocket watch. She and Dinah follow him into a rabbit hole, where Alice suddenly falls down into a deep well, leaving Dinah behind. At the bottom, she follows the Rabbit into a large chamber-like hall, but he escapes through a tiny door. The Doorknob suggests Alice drink from a bottle marked "Drink me." The contents shrink her to a tiny fraction of her original size. The door is locked, and the key appears on the table, which she can not reach. The Doorknob directs her to a cookie marked "Eat me." The cookie makes her grow so large that her head hits the ceiling. She begins to cry; her massive tears flood the room. The Doorknob points out that the "Drink me" bottle still has some fluid left inside, so she finishes the last drop. She becomes so small that she drops inside the bottle. Both she and the bottle drift through the doorknob's keyhole mouth and out to a sea made from Alice's tears.

On shore, a Dodo bird leads a group of animals in a futile caucus-race to get dry. Alice meets Tweedledum and Tweedledee, two fat twin brothers who recite "The Walrus and the Carpenter", in a sequence that first appeared in Through the Looking-Glass. After sneaking away to the White Rabbit's house, Alice is at first mistaken by him for his maidservant; and then grows to such a large size that she gets stuck inside the house. The Dodo tries to help by first sending Bill the Lizard Chimney Sweep down the chimney, and then setting the house on fire; but Alice eats a carrot from the garden and shrinks down to three inches.

Alice chases after the Rabbit again, and in another example of a vignette borrowed from Through the Looking-Glass, she finds herself in a garden of talking flowers and strange insects. The flowers at first befriend Alice, but then mistake her for a weed and angrily drive her out of the flowerbed before she can "take root." She engages a hookah-smoking caterpillar who turns into a butterfly, though not before giving her cryptic advice about the mushroom she is sitting on. Alice breaks off two pieces and nibbles them alternately (first growing very large and unintentionally aggravating a Nesting Mother Bird, who accuses Alice of being a "serpent", then shrinking very small). Finally Alice manages to restore herself to her normal size and stores the pieces in her apron pockets.

Alice receives mysterious directions from the Cheshire Cat, an eerily grinning feline that can disappear and reappear at will, which lead her to the garden of the March Hare, who is celebrating his "unbirthday" with the Mad Hatter and the Dormouse. Alice, growing tired of their rudeness and wackiness, decides to go home, abandoning her pursuit of the White Rabbit. She is lost and despondent among the strange creatures (See Below) of the Tulgey Wood, until the Cheshire Cat reappears and shows her a short-cut out of the forest and into the garden of the Queen (and King) of Hearts.

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In the hedge maze garden, Alice meets some playing cards painting white roses red. The White Rabbit heralds the arrival of the bellicose Queen of Hearts, the diminutive King, and a card army. She invites Alice to a strange game of croquet using flamingos as mallets, hedgehogs as balls, and card soldiers as wickets. The Cheshire Cat plays a prank on the Queen, who blames Alice and orders her execution. The King suggests that Alice be put on trial instead. At the trial, Alice's nonsensical acquaintances (the Mad Hatter, the March Hare, and the Dormouse) are of no help to her. The Cheshire Cat appears and causes enough distraction to allow Alice to eat the remaining portions of mushroom, causing her to grow to gigantic proportions. At this size, Alice scolds the terrified Queen for her rash behavior, but then starts shrinking back to her normal size all too soon. At the Queen's command of "Off with her head!" all the crazy inhabitants of Wonderland give chase.
 

Coming back to the Doorknob, Alice is told by him that he is still locked, but that she is already on the other side. Looking through the keyhole, Alice sees herself asleep in the park. As the mob draws nearer, she calls, "Alice, wake up!" to her sleeping self until she gradually awakens from the dream to the sound of her sister's voice. The two of them return home for teatime; while Alice muses on her adventures in Wonderland and realizes that perhaps logic and reason exist for a purpose, her sister realizes (affectionately) that Alice is still young, but will grow-up in time.

 

Starring

• Kathryn Beaumont
• Ed Wynn
• Richard Haydn
• Sterling Holloway
• Jerry Colonna
• Verna Felton
• J. Pat O'Malley
• Bill Thompson
• Heather Angel
• Joseph Kearns
• Larry Grey
• Queenie Leonard
• Dink Trout
• Doris Lloyd
• James MacDonald
• The Mellomen
• Don Barclay

1971 saw an erotic version of Alice in Wonderland hit the screens - watch here!

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Quo Vadis

Quo Vadis (1951)

Quo Vadis is an epic 1951 film made by MGM. It was directed by Mervyn LeRoy and produced by Sam Zimbalist, from a screenplay by John Lee Mahin, S. N. Behrman and Sonya Levien, adapted from the classic 1895 novel Quo Vadis by Henryk Sienkiewicz. The music score was by Miklós Rózsa and the cinematography by Robert Surtees and William V. Skall.



The film stars Robert Taylor, Deborah Kerr, Leo Genn, Peter Ustinov, with Finlay Currie, Felix Aylmer and Abraham Sofaer.
Returning to Rome after 3 years in the field, General Marcus Vinicius meets Lygia and falls in love with her. She is a Christian and doesn't want to have anything to do with a warrior. Though she grew up Roman, the adopted daughter of a retired general, Lygia is technically a hostage of Rome. Marcus gets Emperor Nero to give her to him for services rendered. Lygia resents this, but somehow falls in love with Marcus anyway. Meanwhile Nero's atrocities get more outrageous. When he burns Rome and blames the Christians, Marcus goes off to save Lygia and her family. Nero captures
them and all the Christians, and throws them to the lions.

         

Watch Quo Vadis Part One




Watch Quo Vadis Part Two

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The African Queen

All Time Classic with Humphrey Bogart and Katharine Hepburn

The African Queen is a 1951 American drama film adapted from the 1935 novel by C. S. Forester. The film was directed by John Huston and produced by Sam Spiegel and John Woolf. The screenplay was adapted by James Agee, John Huston, John Collier and Peter Viertel. It was photographed in Technicolor by Jack Cardiff and had a music score by Allan Gray. The film stars Humphrey Bogart (who won the Academy Award for Best Actor - his only Oscar), and Katharine Hepburn with Robert Morley, Peter Bull, Walter Gotell, Richard Marner and Theodore Bikel. (Wikipedia)

This is one of both Bogey's and Hepburn's greatest movies and i perhaps one of the first films to coome to mind when mentioning the two of them. I myself must have seen this movie at least 20 times already, and wouldn't have a p[roblem with another twenty either. The frictional "love hate"style  interplay of a ruffiian with a snob that kicks off between the two, has been a thematic influence on many a movie right up to the present day (remember the one with Harisson Ford as a hired pilot?)


The African Queen has been selected for preservation in the United States National Film Registry.

The African Queen (1951) is the uncomplicated tale of two companions with mismatched, "opposites attract" personalities who develop an implausible love affair as they travel together downriver in Africa around the start of World War I. This quixotic film by director John Huston, based on the 1935 novel of the same name by C. S. Forester, is one of the classics of Hollywood adventure film making, with comedy and romance besides. It was the first color film for the two leads and for director Huston.

Watch Movie - The African Queen

The acting of the two principal actors - Humphrey Bogart and Katharine Hepburn - is some of the strongest ever registered on film, although this was their first and only pairing together. They portray an unshaven, drinking and smoking captain of a cranky tramp steamer, and a prissy and proper, but imperious and unorthodox WWI-era African missionary spinster. This was 44 year-old Hepburn's first screen appearance as a spinster, and marked her transition to more mature roles for the rest of her career. At 52 years of age, Bogart was also past his prime as a handsome, hard-boiled detective. John Mills, David Niven, and Bette Davis were, at one time, considered for the lead roles.

During the course of many hardships and quarrels along a course filled with tropical dangers and 'evil' Germans in a warship, they develop a hard-earned love and respect for each other. The real prize and goal of their water journey down the Ulonga-Bora, other than the destruction of a German boat, is to overcome the various psychological obstacles that stand between them.

There is a remarkable resemblance between Disneyland's 'Jungle Cruise' attraction and this film. A 1977 TV remake starred Warren Oates and Mariette Hartley. In 1987, Hepburn wrote a pungent account of her experiences during the shoot in her first book, The Making of the African Queen, or How I Went to Africa with Bogart, Bacall and Huston and Almost Lost My Mind. Actor-director Clint Eastwood also chronicled the making of the film in White Hunter, Black Heart (1990), basing it on Peter Viertel's 1953 account of his experiences making the film and working on James Agee's script with John Huston.

Directed on location (on the Ruiki in the then Belgian Congo and the British protectorate of Uganda) by John Huston (it was his ninth feature film and fifth film with Bogart), the film was nominated for four Academy Awards - Best Actress (Katharine Hepburn), Best Screenplay (James Agee and John Huston), Best Director, and Best Actor (Humphrey Bogart). Bogart was the only one to win - the film's sole Oscar. In hindsight, Bogart's award (his sole career Oscar) was probably consolation for the oversight he experienced three years earlier when he wasn't even nominated for one of his best roles as Fred C. Dobbs in Huston's The Treasure of the Sierra Madre (1948). Read On...

Humphrey Bogart - The Signature Collection, Vol. 2 (The Maltese Falcon Three-Disc Special Edition / Across the Pacific / Action in the North Atlantic / All Through the Night / Passage to Marseille)

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