Smokey and the Bandit

Smokey and the Bandit - first of three sequels starring Burt Reynolds;

Bo Darville, aka The Bandit, is a semi-retired trucker legend, working in a trucking rodeo. He is approached by a shady father and son tycoon team (Big and Little Enos Burdette) who are planning a big party. Only problem is, in 1978 America, due to arcane liquor laws, it was illegal to ship Coors beer east of Texas, let alone east of the Mississippi...and the Burdettes wanted some for their Atlanta, Georgia shindig. 400 cases of it.




The Burdetts offer The Bandit $80,000 dollars to get the brews in Texarkana, Texas and bring them back to Atlanta in 28 hours. Enter Cledus Snow, "The Snowman." Bandit convinces Cledus to drive the beer truck, while he will run blocker--distracting Smokey, just like in their heyday. With Cledus convinced, the decoy is revealed...a 1977 black Pontiac Trans Am with gold eagle paint scheme and a Hemi engine, one of the most iconic automotive symbols in American film history.

Like the Battle of Troy is to Odysseus, securing of the brew is just the beginning. Now, they just gotta get it home. How hard could that be? They would have made it with hours to spare, save for their paths crossing with the disruption of the wedding of the soon to be blushing new couple, Deputy Buford T. and Mrs. Carrie Justice, Jr. Seems the almost-Mrs. Justice got second thoughts at the altar, and "danced back up the aisle", apologizing to Junior all the way. On her way out of the church, she flags down the first car to pass...Bandit Darville's Trans Am. She hops in, wedding dress and veil (for awhile at least), flapping in the T-tops. She introduces herself to The Bandit, who eventually names her Frog, as she's prone to hoppin'. Hey, you try getting out of a wedding train in a 70s American muscle car going 110 miles an hour.

Back at the Justice wedding, the father of the groom is beside himself with rage. As he exits the church, Sherriff Buford T. Justice--OF TEXAS!!--is informed that the harlot who has embarassed him in front of his town sped away at harrowing speeds...in a black Trans Am. The pursuit is on!!

Cledus is making good time in the beer truck, although an unscheduled swim with his co-pilot (Bassett Hound Fred) and a truck stop fight with a group of grizzled bikers lose him valuable minutes. Meanwhile, chemistry is sparking up ahead between Bandit and Frog. He even takes his hat off, which he only does for one thing...and one thing, only. As Texas turns to Arkansas, suddenly something becomes apparent...Sherriff Justice is still in pursuit, and he loses another marble with each new insult to his police vehicle.

Many, many police cruisers are destroyed. An unfinished suspension bridge is jumped...and then, not. Diablo sandwiches. The rocking chair. Hot Pants. Finally, the entire Georgia State Police force, complete with helicopter, join the chase. In a stunning climax of events, the deadline is met...and the money is collected from Enos and enos. OK, not really. A double-or-nothing deal is struck for some Boston clam chowder (in 18 hours), and off run Bandit, Frog, and the Snowman in their new candy apple red Cadillac. Bandit, via the police band of his ever-present CB, finally presents himself to Buford...eventually. Tipping him off to their next destination, they speed away...heading north to New England. Sherriff Justice peels out of the parking lot, leaving Junior behind...obediently chasing Daddy. Who else, after all, is going to hold his hat?

Operation Petticoat (1959)

All aboard for this Romantic Comedy Starring Cary Grant and Tony Curtis.

 A submarine newly commissioned is damaged in the opening days of WW II. A captain, looking for a command insists he can get it to a dockyard and captain it. Going slowly to this site, they find a stranded group of Army nurses and must take them aboard. How bad can it get? Trying to get a primer coat on the sub, they have to mix white and red in order to have enough. When forced to flee the dock during an air attack, they find themselves with the world's only Pink submarine, still with 5 women in the tight quarters of a submarine.



Watch Movie - Operation Petticoat

Related articles by Zemanta

• What submarines do while on patrol. (slate.com)
• Pictures: The Hunt for Lost WWII 'Samurai Subs' (abcnews.go.com)
• The Silent Service in World War II: The Fleet Type Submarine by www.periscopefilm.com (slideshare.net)
• Virgin goes underwater with Necker Nymph aero submarine (engadget.com)
• Wreck Of Ship Which Claimed 268 Lives Found (news.sky.com)
• BAE hands new nuclear submarine to the Royal Navy - four years late (telegraph.co.uk)

Morocco (1930)

Morocco (1930 Movie with Gary Cooper,marlene Dietrich)

The Foreign Legion marches in to Mogador with booze and women in mind just as singer Amy Jolly arrives from Paris to work at Lo Tinto's cabaret. That night, insouciant legionnaire Tom Brown catches her inimitably seductive, tuxedo-clad act. Both bruised by their past lives, the two edge cautiously into a no-strings relationship while being pursued by others. But Tom must leave on a perilous mission: is it too late for them? 

Morocco is a 1930 film in which a Foreign Legionnaire meets and falls in love with a sultry seductress. It was directed by Josef von Sternberg and stars Gary Cooper, Marlene Dietrich and Adolphe Menjou. The story was adapted by Jules Furthman from the novel Amy Jolly by Benno Vigny. The movie was notorious in its day for a woman-to-woman kiss.

   

It was nominated for four Academy Awards in the categories of: Best Actress in a Leading Role (Marlene Dietrich—who, amazingly, knew little English, and spoke her lines phonetically), Best Art Direction, Best Cinematography and Best Director (Josef von Sternberg)

Image via Wikipedia

In 1992, Morocco was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

Related articles by Zemanta

• Fabled Foreign Legion finds a new war to fight (seattletimes.nwsource.com)
• Quest for the Kasbah by Richard Bangs (travelblissful.com)
• Oscars not a popularity contest (thestar.com)
• 2010 Golden Globes: Marion Cotillard Chats With Natalie Morales (shoppingblog.com)

Angel (Marlene Dietrich, 1937)

1937 Rare Movie Classic with Marlene Dietrich
The Ernst Lubitsch touch is omnipresent in this relatively unknown but extraordinary romantic comedy. The theme of a potential marital infidelity of a disaffected upper class wife (a gleaming Marlene Dietrich) is dealt with unusual sophistication and insight, building up slowly to a brilliant denouement, while the core dilemmas and the predicament of the main character are continuously and subtly underscored. The confrontations between the characters are a delight of restrained pathos, whereas Lubitsch, unsurprisingly, perfectly recreates a confined world of rigid social norms that suppresses any emotional profusion. All the performances are top notch, the secondary characters are equally memorable and the whole film is pervaded by the genius of one of cinemas most charismatic directors, Ernst Lubitsch. One wishes that modern romantic comedies had only maintained even a fraction of the wit and incisiveness that Lubitsch established as a norm in the 30s.
Starring Marlene Dietrich, Herbert Marshall and Melvyn Douglas with Edward Everett Horton, Laura Hope Crews and Herbert Mundin.






Lubitsch is recognized as one of the great directors of the 30s, and yet this wonderful film is not on any of the usual critical lists of notable films. Perhaps it was too modern for its time. It is perhaps Dietrich's best English performance (though even here she could be a bit more subtle), but the real star is the director, shining in the shots he composes and performances he coaxes from his actors. Lubitsch is a master of subtlety, and when he places important moments off-screen, it is in such a way as to heighten their impact.

     

Since the censorship code is in effect, the sexual elements are cleverly concealed. For example, Halton and Barker discover that in Paris they both visited the same... seamstress. The naive Hays Office must have thought that was the joke, but the real joke is on them for it is clear--at least today--that the two did not visit her to get their sewing done. The sophistication of the film is unusual for its time.

Pages could be written about this film. Suffice it to say that if you like 30s film at all, see this. In certain moments, it feels perfect. Probably one of the top 25 of the decade. (Christopher Wallis).

Plot;

The story describes a love triangle initiated by Lady Maria Barker (Dietrich), the comfortable but neglected wife of Sir Frederich Barker (Marshall), a top-level British diplomat in the pre-World-War-II era. Maria is faced with the possibility of divorce when Frederick learns that she has had an affair, but he realizes that he has not spent enough time with her and cancels his business plans to take her on a much-needed vacation.

Although Frederick provides well for Maria and appears to love her, he has been neglecting her in favor of pursuing his busy diplomatic career. One day when he is in Geneva on important business, she secretly flies to Paris to visit the Grand Duchess, who operates a high-class escort business. By chance, Maria happens to meet Anthony Halton (Douglas), a charming man who lived in India for several years. Although Maria insists that their affair remain anonymous, they are attracted to each other, and they have a brief tryst, during which he calls her "Angel". Intending to have only a simple fling, she tries to end the relationship by leaving him without saying good-bye. However, he has fallen in love with her, and he begins searching for her.

Maria manages to avoid being seen by Halton at a horse race, but Halton happens to meet Frederick at a social gathering, and the two of them makes plans for Halton to have lunch with Frederick and Maria. Unable to avoid Halton any longer, Maria pretends not to recognise him when he arrives. In a moment when Maria and Halton are alone together, she makes it clear to him that she has no interest in continuing their relationship and that she considers his presence a threat to her marriage and her reputation. Still in love with her, he offers to meet her in Paris the following week, but she refuses.

Meanwhile, tickets have arrived for the vacation to Vienna that Frederick promised Maria. However, he breaks his promise to her when an opportunity arises for him to go to Geneva again for work. Frederick's mistreatment of Maria is emphasized by his decision to go to Geneva despite Maria's obvious enthusiasm about the vacation and the fact that the Geneva trip was originally assigned to one of Frederick's capable assistants. Disappointed by this setback, Maria changes her mind about meeting Halton again, and she asks Frederick to drop her off in Paris on his way to Geneva so she can go shopping.

Frederick agrees to this plan despite the fact that he has discovered the affair. However, instead of continuing to Geneva, he goes to the Grand Duchess's salon to investigate. In a last-ditch attempt to save her marriage, Maria confronts Frederick in the salon and makes it clear to him that she needs more attention. She claims that Angel is another woman who is in an adjoining room, but asks him to believe her without looking in the room himself. Her hope is that he will save her reputation by accepting her word but will spend more time with her in the future.

This plan fails as Frederick enters the other room, which is empty, but he proposes a better solution. Finally understanding that he has taken Maria for granted, he humbly offers to cancel his business trip and meet her at the train station to go to Vienna, allowing her to decide whether they will stay together. As he leaves the salon, she immediately catches up to him, and they walk out together to begin their vacation.